How can you tune a sound system within just a few minutes? Watch how to calculate a corrective EQ curve and fully time-align any PA system, using the TRACT System Calibration plugin and Rational Acoustics' Smaart audio analysis software.
Since every sound system behaves differently from venue to venue, before mixing, we need to tune the system. Audio professionals around the world rely on accurate audio measurement analysis from Smaart. TRACT receives the data from Smaart, and uses it to make EQ and time-alignment corrections. TRACT, together with Smaart, is a great, fast and accurate way to tune your PA, wedges or studio monitors.
In this video, learn step-by-step how to accomplish three important tasks when tuning a system:
1. Equalizing a full-range PA
To calculate a corrective EQ curve, we’ll need a precise transfer function measurement. To accomplish this, we'll need to route pink noise to Smaart, and then route pink noise through the PA as well.
Capture the noise with a measurement microphone near front-of-house. Smaart will compare the frequency response of the PA to the direct-fed signal. This way, we’ll see how the PA and the environment affect our frequency response – and what needs to be done to offset and correct it.
This is where TRACT comes in: TRACT will calculate an EQ curve to even out the response of the PA, and tune our system.
2. Time-aligning front fills to mains
In larger venues, the main PA doesn’t cover the first few rows too well. To supplement the coverage, small speakers are used as front fills. Since they’re situated so close to the audience, the sound will arrive first to the listeners from the front fills, and then from the mains. This can cause phasing issues, or even a slap delay effect. To avoid these issues, we need to delay the front fills’ signal so that sound from the front fills and the sound from the mains will arrive to the listener at the same exact time: a process known as time-alignment.
To time-align front fills to mains:
3. Time-aligning subs to mains
When running a system’s subwoofers on a separate output from the mains, we often need to time-align the two to avoid phase cancellation of low-end information. If not aligned, impact from instruments such as kick drum and bass may be out of phase, and the whole mix will feel lacking in power.
Since audio from the main speakers covers a frequency range of about 100 Hz and above, and the subs cover around 100 Hz and below, the area where the frequencies cross over is susceptible to phase cancellation.
To phase-align subs to tops:
And now, you're ready to mix!